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An Original Comedy Screenplay By John H. Leeper ** Note - Terms used in spec scripts:
PART 3. INT. APARTMENT FOYER - NIGHT Linnie reaches the foyer table and yanks her pistol from its holster. The TELEPHONE RINGS, almost causing her to jump out of her skin. Linnie snatches up the receiver.
LINNIE The voice on the other end of the line is extremely BRITISH.
CEDRIC
LINNIE
CEDRIC
LINNIE
CEDRIC
LINNIE
CEDRIC (O.S.)
LINNIE
CEDRIC (O.S.)
LINNIE
CEDRIC (O.S.)
CEDRIC (O.S.) Linnie takes the phone from her ear and stares blankly into space. Finally, she puts the receiver to her ear again.
LINNIE
CEDRIC (O.S.) Linnie fearfully draws a breath. She turns her head and stares down the hallway, past her bathroom door.
CEDRIC (O.S.) INT. APARTMENT INTERIOR HALLWAY - NIGHT Wide-eyed with terror, Linnie creeps down the hallway with her pistol at ready.
CEDRIC (O.S.) Linnie reaches the bedroom door and pushes it slowly open, holding her pistol at ready. A large, white rat is on the bed with his forepaws on the keypad of a black cell phone. LINNIE'S FACE is framed in the doorway to the bedroom. It is a mask of horror. SHE SCREAMS AT THE TOP OF HER LUNGS! BED FILLED WITH RATS: The rodents cringe at the sound of Linnie's terrified howl and scurry about the bed, babbling in distinctly ethnic voices. SIMULTANEOUS DIALOGUE:
ARGYLL
CONNOR
MALCOLM INT. LINNIE'S APARTMENT BEDROOM - NIGHT Linnie steps into the room, raises her gun again and prepares to shoot the rats. Cedric speaks into the mouthpiece of the telephone. Linnie still holds the receiver to her ear.
CEDRIC Linnie's hands tremble with fear. She is ready to shoot Cedric, but something stops her. She lowers the pistol.
LINNIE
CEDRIC
LINNIE
CONNOR
MALCOLM DISSOLVE TO: INT. LINNIE'S APARTMENT KITCHEN - NIGHT The rats are gathered on the kitchen counter among slices of cheese and bread. They are gobbling the food down hungrily. Linnie is huddled into a corner, sitting on the floor in a fetal position. She still has her pistol, but the telephone is gone. Her eyes reveal the depth of her fear and confusion.
ARGYLL
MALCOLM Linnie, completely confused and terrified, nods in silent assent from the corner.
CEDRIC
ARGYLL
MALCOLM
ARGYLL Linnie curls up her nose up in disgust.
MALCOLM
ARGYLL
CEDRIC Linnie presses her forehead to her knees in dismay.
CEDRIC
LINNIE Cedric scurries to the edge of the table and stands on his hind legs.
CEDRIC
CONNOR
ARGYLL
MALCOLM
CEDRIC The black Irish rat scurries up beside Cedric and also stands upon his hind legs.
CONNOR
CEDRIC The brown-and-white rat with the collar, Malcolm, joins them.
MALCOLM Linnie has been staring at them quietly from the kitchen corner. She scowls at first, and then nods her head gravely.
LINNIE
CEDRIC
CONNOR
CEDRIC
MALCOLM
CEDRIC
CONNOR The black Irish rat bows his head towards Linnie.
CEDRIC
CONNAUGHT
CEDRIC Argyll, still munching on cheese, BELCHES and delivers a wee rat FART.
CEDRIC
ARGYLL
CEDRIC Cedric bows his head towards Linnie. Linnie thumps her head repeatedly against her knees and whines pathetically.
LINNIE
MALCOLM Linnie looks up and gives the rats a hateful glare.
LINNIE
CEDRIC
LINNIE
CEDRIC
MALCOLM
CEDRIC
MALCOLM
CEDRIC
ARGYLL
CEDRIC
ARGYLL Linnie comes up from the floor with renewed determination.
LINNIE
CEDRIC
LINNIE
CEDRIC Linnie raises her pistol and points it straight at Cedric.
LINNIE
MALCOLM Linnie eyes the brown-and-white rat suspiciously.
MALCOLM
LINNIE
MALCOLM
LINNIE
MALCOLM
LINNIE
CEDRIC
LINNIE
CEDRIC
LINNIE
MALCOLM
LINNIE
CEDRIC INT. LINNIE'S APARTMENT - COMPUTER WORK STATION - NIGHT A computer monitor flashes to life showing a cartoon graphic of an early 20th Century cop wearing a large, bell-shaped hat, puffing hard on a whistle. A name appears: "THE WALL STREET WHISTLE BLOWER." Linnis is seated at the work station in her home. The rats are scattered across the table in front of her.
LINNIE Cedric brushes her hand excitedly as he edges closer to the screen and Linnie jerks back in revulsion.
LINNIE
CEDRIC
LINNIE Linnie grabs a bottle of Russian vodka sitting beside the monitor, pours a shot glass full and downs it in a single gulp. Obviously, she has had more than one. She breathes deeply as she recovers from the impact.
LINNIE Linnie hesitantly reaches for the computer mouse, frightened of Cedric, clicks it and enters the site. She types in some characters on the keyboard.
LINNIE
CEDRIC She types more letters and the screen changes. A voice with a distinct Irish brogue comes from the console V. O.
COMPUTER (V.O.) A picture of a modern office building in downtown Boston appears on the screen. It is obviously an amateur video production.
COMPUTER (V.O.) A series of pictures flash across the screen showing various views of a short man surrounded by bodyguards and finance types. His face is never seen. It is either shrouded by clothing or by the positions of others around him.
COMPUTER (V.O.) The pencil drawing of a male face appears on the screen. He is an older man, thin, with eyes full of dark malice.
CEDRIC
An old black-and-white photo appears on the screen of a group of men talking on a public street. The computer zooms in to capture the face of the short fellow at the center of the group. It is the same face as the sketch.
COMPUTER (V.O.) The screen changes to an alien invasion Web page called THEY ARE AMONG US. The computer's voice changes from the Irish brogue of the cartoon cop to the intense confidentiality of a true believer in the most idiotic of conspiracy theories.
COMPUTER (V.O.) Cedric rises to his hind legs and looks at Linnie.
CEDRIC
LINNIE
CEDRIC
LINNIE Linnie pours herself another shot of vodka and gulps it down. She coughs hard and shudders at the effect. Linnie shuts her eyes tightly and bows her head. There is desperation in her voice.
LINNIE She opens one eye and peers at Cedric sitting by the mouse pad watching her. Linnie GROANS and shuts her eyes again.
LINNIE She looks at Cedric again and rolls her eyes in deep despair.
CEDRIC The pack of rats on the tabletop creep towards Linnie.
MALCOLM
ARGYLL
CONNOR Linnie stares at them with a pained, pathetic expression.
LINNIE The rats simply stare at Linnie without answering. She looks at them helplessly, then buries her face in the palms of her hands and leans forward heavily on her elbows.
LINNIE INT. BOSTON SUBWAY - NIGHT Linnie is seated inside a Metro car with a large BIRDCAGE on the bench beside her. It is covered by a cotton cloth. On the seat beside her is her PURSE. The top of the BOTTLE OF VODKA sticks up from it prominently. Linnie looks around as though everything in this familiar setting is brand new to her. She feels the metal arms and padded seats curiously. A PASSENGER two seats down turns from his newspaper and eyes her with concern. Linnie pulls out the bottle of vodka and takes a swig.
LINNIE Linnie shoves the vodka bottle back into her purse, picks up the birdcage and brings it to eye level. She tosses back the cover and inside it are the five rats.
LINNIE Linnie turns the cage towards the nearby passenger and gives him a serious look.
LINNIE The passenger gets up and hurries to another part of the subway car. Linnie LAUGHS hysterically at her own joke. She turns the cage around and brings her face close to the wires, studying the rats with furrowed brow.
LINNIE She pushes a finger through the bar and pokes Cedric, who is standing on his hind legs, in the belly.
LINNIE Malcolm and Cedric are beside one another in the cage. Cedric turns to the rodent wizard.
CEDRIC
MALCOLM EXT. STREET IN DOWNTOWN BOSTON - NIGHT Linnie staggers out of the Metro station onto a downtown Boston Street. A few pedestrians walk past and glance curiously at the birdcage in her hand, which again is covered. She stops once to regain her composure, and then walks resolutely down the sidewalk past the front of a posh restaurant called "The Acropolis" until she passes a large brass sign on a marble wall that reads "Reiser Towers." Linnie stops at the glass entrance and looks about. The office building is closed and the interior is dark. She grabs the handle of the door and shakes it. The building is locked.
CEDRIC (O.S.) She tosses back the cover revealing the rats and puts a finger to her lips.
LINNIE Linnie drops the cover again, puts the cage on the sidewalk, grabs the door handle with both hands and shakes it with all her might. The door rattles loudly under the violent assault but will not budge. Finally, exhausted, Linnie stops and begins to look around. She glances back in the direction of the restaurant. INSERT: SECURITY CAMERA A small exterior security camera is mounted over the entrance to The Acropolis restaurant. BACK TO SCENE Linnie follows the line of the camera's lens. It takes in the entrance to Reiser Towers where she is standing. INT. THE ACROPOLIS RESTAURANT - LOBBY - NIGHT A giant ceramic statue of a male ATHENIAN WARRIOR dominates the lobby. It has a helmet and sword in its muscular right arm but is naked otherwise. The sculptor gave it a very prominent penis. Linnie enters the glass doors, cage in hand, and her eyes instantly settle on the helmeted head of the statue. She walks up to it, never taking her eyes off the statue's face, and, when she is within arm's reach, stops. Linnie's eyes slowly search the muscular torso until they focus on the prominent penis. She reaches out with her right index finger and taps the penis firmly. Instantly, the ceramic penis snaps off the statue and falls to the floor. Linnie looks back up at the statue's face.
LINNIE Linnie turns towards a nearby secondary entrance where a young MAÎTRE D' dressed in a tuxedo is standing at a reception desk. His head is down, reviewing a guest list. Linnie walks up and, unceremoniously plops the covered bird cage down on the counter.
MAÎTRE D' Linnie fishes out her wallet and flashes her badge at him.
LINNIE The man doesn't know what to say, but he is obviously suspicious of Linnie's condition. The middle-aged MANAGER steps up when he sees there is something amiss.
MANAGER Linnie again flashes the badge.
LINNIE
MANAGER
LINNIE The two men look at one another incredulously.
MANAGER Linnie looks at him as though she doesn't understand. Then, she scowls at the pair of men, reaches underneath the cover of the birdcage and pulls out Connor. The men jump back, startled, as Linnie waves the black rat in front of their faces and strides past them resolutely into the main dining room. INT. THE ACROPOLIS RESTAURANT - DINING ROOM - NIGHT Linnie holds her badge up in one hand and Connor in the other.
LINNIE There is a general MURMUR of consternation from the restaurant guests. An overweight, ELDERLY WOMAN dressed to the nines sees the rat and gives a startled YELP of fear.
ELDERLY WOMAN Her HUSBAND looks first at Connor and then his plate. He drops his knife and fork as though the utensils are red hot. The manager hurries into the room trying to grab Linnie by the arm; but when she swings around with Connor in her hand the man jerks back in revulsion.
MANAGER
LINNIE The manager looks around helplessly, and then snarls at the Maître d' nearby.
MANAGER He fumbles in his pocket for a set of keys and hands them nervously to the Maître d' who hurries away. Linnie turns Connor around so they are looking into each other's eyes. She gives him a big, self-satisfied grin. -- END PART THREE -- |
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